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You know, with the way the bad goes in constant cycles around here, Wash is mildly surprised it hasn't overlapped before now.
It's as good a reason as any why it's taken this long to visit.
Naomi's nestled in her sling; a box under one arm and his cane in the other hand, Wash scrambles and juggles for a couple of seconds before he knocks on the door of the Tonks-Wrangle flat.
"Anybody home?" he calls.
It's as good a reason as any why it's taken this long to visit.
Naomi's nestled in her sling; a box under one arm and his cane in the other hand, Wash scrambles and juggles for a couple of seconds before he knocks on the door of the Tonks-Wrangle flat.
"Anybody home?" he calls.
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Blinks.
Absently bounces Naomi a little as she makes a fussy noise.
"Please tell me this is a fiendish and clever disguise for the entire hospital and Bernard isn't, you know, actually that mannequin or anything."
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The witch leans forward and addresses the nearest mannequin.
"We're here for Bernard Wrangle," she whispers, and the mannequin nods very slightly.
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(What? It's alive, apparently. And maybe he just grieviously insulted it and might get smited by its plastic-y hands of justice. He's just covering all his bases.)
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This does not stop him from putting a protective arm around Naomi as she shuts his eyes, takes a deep breath, and starts walking forward.
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It looks rather a lot like any other hospital, really; probably more like what Wash might see in a Core hospital, though, than anywhere else in Nymphadora's London.
"Wotcher, Betina!" 'Dora calls to the witch on duty at the desk, and the elderly lady gives her a friendly wave back as Nymphadora, Wash, and Naomi head in the direction of the private rooms.
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The last time he was in a hospital was just before New Year's; it's bizarre how much this place looks like Marcus Medical Center.
"Am I supposed to be this disappointed that this looks so normal?" he murmurs to her. "I don't think I am."
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A memo in the form of a paper airplane whizzes overhead.
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"See, that's more like it," he declares.
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She raps lightly on the door before sticking her head inside.
"Are you decent, love?"
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Then, "Am I ever?"
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(And not looking in the room yet.)
"If decency ever happens, send me evidence, I've got a blackmail portfolio on everybody except you so far," he calls.
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He takes a moment to readjust the sling, sneaking a fond smile, bright for all its quickness, at Naomi.
"I have company of the small human and adorable variety. Some slightly less adorable gifts, too."
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"Goddammit. You keep surprising me, and I keep jumping and it keeps hurting, so come on in and cut it out."
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That sentiment becomes rather more sincere when he edges in and actually gets a look at Bernard. Saying you look like hell would be redundant, so he doesn't, but that really doesn't make it any less true.
"Hey. How are you feeling?"
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Hey. She's entitled. On a number of levels.
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"I'm good. Better, now that I have visitors." He grins, a little more color coming to his face. "Who's this, then?"
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Wash takes a seat and puts his cane aside, lifting Naomi out of her sling. She makes a tiny noise of protest -- "Hey, it's okay, băobèi, shh," he whispers, kissing the top of her head as he rests her against his chest. "This is Naomi Warren-Washburne. Naomi, this is Bernard. Wanna say hi?"
'Hi,' in this case, is a solemn and marginally sleepy blink.
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He's grinning uncontrollably.
Because they're right; she is beautiful. He'll never argue that. And she's his.
"Weird besides the general inherent weirdness of being a walking echo chamber?" he asks, hoisting her a little higher.
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Of course, knowing him, he's going to be doing that anyway with pretty much every major milestone this kid hits.
"You up for holding her?" he asks Bernard.
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